Search This Blog

Wednesday 29 April 2020

Voice of the Artist Episode 4



Redefining Cinema and the Scope of Contemporary African Filmdom-  Michael Paddi

Michael Paddi  is a student of the University Of  Education,Winneba, pursuing a Bachelor of Business Administration. He is  a Creative Writer, a Poet, a Transformational speaker championing leadership and human capacity. In the film industry, he is a Scriptwriter, Production Designer and Art Director. He is also a songwriter, a rapper, and does a little bit of singing.

Paddi's presentation on Redefining Cinema and the Scope of Contemporary African Filmdom is presented below:

A key highlight of his presentation is the use of the word "Filmdom", which he coined himself as a compound word connoting "Film Kingdom" which is a variant for "film industry". He moved on to say that every Kingdom has defined structures and regulations that govern it. Hence, industry is institution, and institutions are artificial bodies. He then set an example with Hollywood, that it is not a name given to people who make films in America but an institution run by influential bodies which has been employed over the years by the U.S authorities and institutions as a medium for introducing and educating the world about future policies, intentions, inventions, speculative and anticipated inventions, technologies, job, security, automobile, trade, etc.


Cinema, what is it?

Paddi stated that the old British filmmakers call Cinema a place or theatre for watching movies. Apparently, only few had television those days. Recent filmmakers define Cinema as the art and technique in making motion pictures. Unlike Theatre Art where the audience and the artists converge at one place, Cinema reaches their audience digitally.  Therefore he defines Cinema as digital production or play. The evolution of Cinema from traditional to virtual Cinema like Netflix, YouTube, etc is a big plague on the conventional filmmakers who make money from sales of Compact Disks.

Nevertheless, the virtual Cinema according to Paddi is also a promising niche for the contemporary filmmakers. That's the youth who are willing to project their talents and make money later, use phones to shoot short videos and upload it to the internet, create their own audience, create traffic, sensitize their content and attract sponsors. This is why we need to redefine Cinema in contemporary terms. Virtual Cinema is indeed a great platform but it can be sinking ground for the undiscerning young filmmakers. The fact that everyone is laughing doesn't mean you're thriving. There are talent hunts behind the virtual Cinema looking for genuine talents to employ and to empower  that's why we must come together to create an avenue for the talent hunts to find us easily.
We must search to understand how this Virtual Cinema works and the requisite. Let's not be selfish. Those who know should give the knowledge for free so as to push the industry.

The Scope of Cinema

Paddi highlighted various areas that go into the film production: Content, Career, Culture, Message which he tackled individually. Speaking about content he said : Cinema is a digital reality and so there's no limitation on its content so far as the concept is relevant, realizable, expressible and communicable.

Speaking to the issue of Career, he said; Cinema is not only about the studio, Cinema is a stimulation of reality and Cinema is about people. Once your profession or career serves people, you have a role in Cinema. As the industry needs marketers, economists, procurement managers, researchers, Medical practitioners, farmers, engineers, absolutely everybody.

He continued with Culture by saying; the contemporary Cinema thrives on diplomacy and so there's no limitation on culture. Therefore one doesn't necessarily have to produce a movie in their local dialect, but can pitch accent, promote fashion, food, merchandise, trait etc. Also, the virtual scouts are looking for indigenous traits or characters as well.

Then he spoke about Message saying: once there's something to be seen, or information to be sent across, Cinema has no imposition whatsoever.but where it threatens society's dignity, key stakeholders would interfere. Hence there's no limitation on what message to project on television. One can promote agriculture, innovation, education etc.


Investing in the Film Industry

In response to a question asked as to whether there has been a fall in income, in either the former or the
virtual process, he said that the virtual savvy is making money whiles the film makers are making nothing.
He the admonished that industry players should come together so that as productions goes on, the savvy pushes it regularly.Paddi again stated: if industry players want stakeholders to invest in the industry, fooling should be different from comedy, because the reputation of any corporate sponsor is affected by the content that is being projected.

The Existence of an Industry and Influences

In response to a concern about the existence of a  movie industry in Ghana and if  pop culture has influenced contents produced in the film industy, Paddi indicated that; once there's a place people sell and buy, there's a market and as far as people are making movies in the country, there is an industry: but there's no structured industry , i.e, an institution that oversees the film fraternity.With regards to the pop culture influencing contents produced, he said, that the foreign culture has influenced our industry totally. He further gave an instance of  the idea of using fair people especially half casts in movies as an example, which he thinks causes many aspiring artistes to bleach.

Concerns about the Film Industry

A major concern highlighted by Paddi is the availability of people to raise and own the industry and run it. The numerous youth out doing so well and we need to come together, collect data, segment, augment and compliment each other's craft. Paddi opined that we should be ready to work for each other for free, for free and for free. We must collectively promote each other's craft as an industry, because the virtual spy is scouting based on segmentation like culture, etc. Like saying Ghana has good content. Remember, behind every star or successful project is a chunk of artists and crew. You could be one.

Concluding Words

In conclusion, Paddi stated: "There's an artist in everybody, therefore use your profession to augment your art." He called on everyone to come together with their diversity to build an industry for ourselves and also stop the viral videos and look at things that would affect our economy. He also called on filmmakers, to give chance to those who by nature have no interest in Cinema.because they may posses something they don't even know is useful to Cinema.

What do you think?

Share your thoughts with us.

Voice of the Artist Episode 3


The African Artist as Part of the Contemporary World - Kobina Hagan


Kobina Hagan is a student artist of the School of Performing Arts, University of Ghana, Legon. He served as the student body president of the Association of Students of Performing Arts (2019 - 2020). His main focus in art is Directing and Creative Writing. His art is existential in the knowing of African aesthetics and it values. As an artistic provocateur, his works trend on the avant-garde theories.
His presentation was to create awareness towards African aesthetics and values, and reasons why African Artists are not just mere artists but media between the african society and it's surrounding rhythms.

Kobina Hagan's presentation on The African Artist As Part Of The Contemporary World  is summarized below.


What is Art?
With regards to this Koibina defined art as anything that communicates to a person's soul: in conclusion, he said: if anything is art, nothing is art.

Who is an Artist?
Kobina defined an artist as someone who produces a work of art. Having built on the above points, he spoke extensively on who an African Artist is, which he began by explaining who an African is. With this he said, an African is one who is born in Africa, lives in Africa and is a citizen of Africa.

However, according to him, being an African Artist is not as lucid as being an African, but an African Artist is aware of the African values and the importance of Art in the world of an African. An African Artist has a message, a past, a story to tell and a people to educate.
Further, an African Artists understands that African Art shouldn't be mere entertainment but an avenue for learning and an Avenue to communicate and make a change in the society.

Thus people who are not Africans cannot write African stories, but can only write about Africa, for an African Artists write about their experience as Africans.Kobina also mentioned that before an African artist is known internationally, he has to be national and, that is to know his values.
As an African Artists the first step in knowing our art is knowing ourselves: who we are as Africans. A good Artists is one who is vulnerable to his flaws one who understands what makes him think.
He concluded by saying; the African communicates with the whole aspect of their being, both physical and spiritual, as the African is a spiritual being.
Thus the African Artists is not only a representation of the spiritual world but a media between the physical and spiritual world.

His challenge
One challenge major challenge Kobina identified is finding himself as an African in a world where we are expected to be globally involved. In response to a question about how the African Artist can break boundaries and blend in, Kobina made it clear that the African Artists should not blend in with the Contemporary times.The African Artist has to exist in the Contemporary times. For one to blend in is to compromise, but the African Artists must rather stand out. Again, an African Artist can only exist as an African because he understands and know the values of the African society, and is not Influenced by European constructs and ideals.

On the issue about African Artists blending in to gain international recognition Kobina responded by saying; we don't need people to recognize us because we are trying to copy them. We gain true recognition when we are ourselves.Thus African Artists should come out with their own identity and not be a reflection.
Again he said It takes a personal conviction to be ourselves as Africans, since our education is rooted in Western culture. With this, he said we make it a point to create awareness with the people around us, using our art as a message to stand out and make a statement.


In conclusion, Kobina said: the African Artists should go as African Artists who understand Art in the concept of Africa, people whose works embody the African values and system
 In a nutshell, an African Artist in the Contemporary world is one who knows himself and can stand out as an African.

What do you think?

Share your thoughts with us.

Friday 17 April 2020

Voice of the Artist Episode 2


Theatre for Development: An Essential Change Agent- Kingsley Obed Ansah

Obed K. Ansah is a Teacher and a Theatre Artist, who's work is based on Theatre for Development. As a Theatre Artist specifically a change agent, He tries to effect minds to inspire change. He is involved in the kind of Theatre that uses the methodology of finding the problems in a community with it's members and together, through a dramatic performance with the community members playing the center role, they laugh at the wrongs or ills they do in the community and propose solutions.

Challenges 
His challenge is that people actually don't understand the role art plays in the society, hence they tend to make ''mockery'' of it but he often admonishes them by saying: "the end products defines competency. He also realizes that with theatre for development,  people think anybody can organize a performance to sensitize the community but they all leave out the most important part which is feedback.

His experience
Working on a social protection drive on child abuse,  those who were handling the project wanted to organise seminars for the communities involved. Through somebody he had the opportunity to meet the organisers, and sold to them how effective the TfD method will be.  He was given the opportunity to handle it and they were marvelled because of the feedback they got.

His Current Work
He's working with the students he teaches to raise awareness both in the school and the community he is in, on the need to pay attention to arts, which has resulted in some positive results.
Again, he has a drama troupe, that identifies the problems in his school and attempt to ridicule it using drama.(experimented it with only an art class)
Way Forward

He's also working on a having seminars for SHS ''arts'' students,  starting from his school to expose them to the opportunities in arts and how to attain them. He is hopeful that his work will create the heightened awareness of how Theatre can efficiently serve as a social force by inducing a positive change process in his local community and the world at large.

What do you think?

Share your  thoughts with us.

Voice of the Artist Episode 1


Experience With Teaching Music- Joseph Ayesu

Joseph  Ayesu is a music student at the University Of Education.
He belongs to the performing arts branch of arts. Specifically the music and dance field.
He plays a few instruments, but his primary instrument is the piano (keyboard).
He is into traditional dance. He is  an instrumentalist at church and once in a while, teaches children dance.

His challenge is that in the field of music, he has realized parents would love to have their children play an instrument but only a few appreciate that it comes at a cost. This he identifies as a demeaning factor when it comes to motivating the various artists involved in the pedagogical process.

Joseph believes monetizing the arts is an issue of association rather than individuals.  Associations can start from various communities, organizing the creative minds in the area to teach and groom more people in order to be able to connect with people living in other areas through programs, productions, concerts and so on. Nonetheless he thinks working as individuals is good, but he believes we will go far, when we work in bigger groups. The unity within the groups could help us come out with policies in monetizing our creative pieces and works.



What is your experience?

What do you think we can do to help?

Kindly leave a comment.

Tuesday 14 April 2020

Meet the Team

Head of Publications- Clara Orleans Ashun

"Art is the life of the world. It expresses life into detail than anything else and it is that thin thread that holds the world, at its extreme: yet is enjoyed but not esteemed."Clara Orleans Ashun.

Clara Orleans Ashun is an undergraduate student at the University of  Education, Winneba; Department of Theatre Arts. Clara is an ardent lover of art and doubles as a writer. Clara is an excellent communicator as well.

Clara Orleans Ashun believes that life is a gift and so wherever  you find yourself, you live your best, do your best and put a smile on someone's face. In summary she says: be a solution and not a problem.




Project Coordinator- Isaac Nketsiah 

"I strongly believe that the society can't be stable without Art since life in itself is Art."- Isaac Nketsiah 

Isaac Nketsiah is an undergraduate student at the University of  Education, Winneba; Department of Theatre Arts. Isaac is a critical thinker, a great team player and has a heightened sense of working under pressure. 

Isaac believes that art in any form has the power to heal and also make people smile. Art practitioners, according to Mr. Nketsiah, need to value what they do so they can contribute in developing the society they belong to.




Art Director- Ntimah Hagan Nandi

"For every artist, the canvas is a mouthpiece. the artist speaks with vibrant colours, bold strokes, shapes and fine lines. It whispers secrets, shares passion, expresses anguish and taunts your sensibilities."- Ntimah Hagan Nandi


Ntimah Hagan Nandi is an alumnus of the University of  Education, Winneba and currently an Art Tutor at Akwamuman Senior High School in Akosombo. Hagan possess strong skills in Graphic Design, Sculpture, Textile Art, Picture Making, Illustrations and Art History.

Ntimah Hagan Nandi stongly asserts that art is a subject for deep academic thinking, taking into critical consideration the works of esteemed artists such as Picasso, Michelangelo, Leonardo da Vinci among others. He further believes that art should astonish, transmute and awe its recipient by working at the mystery between truth and paranoia so as to awaken the life in art.






Project Director- Daniel Ohene Mantey


"Art is a broader area of education which is  relevant and essential in our lives. Everything here on earth is art but people tend to neglect the importance of art. Government support in creating policies governing the development of art is a critical area that must be looked at."- Daniel Ohene Mantey

Daniel Ohene Mantey is an alumnus of the University of Education, Winneba where he obtained a Bachelor of Arts Degree (B.A) in Theatre Arts. He is currently a Postgraduate Student at University of  Education, Winneba, pursuing a Master of Philosophy (M.Phil.) in Arts and Culture. 

Daniel is a Scenic and Lighting Designer with vast experience in his field. He also has experience in Theatrical Productions playing both onstage and offstage roles. Daniel's training as a theatre practitioner has equipped him with the requisite skills to effectively accomplish tasks by bringing to fore the essential and artistic and conceptual components. Daniel is a excellent team player and has the ability to work under pressure with little or no supervision.

Daniel Ohene Mantey believes art is very unique as it plays diverse roles in our community and industries. It can be used as a therapy, development procedure among many others. Without art, there is no life and everyone must contribute their quota to support the development of art.




Founder & Team Leader- Jeremy Yao Olympio

"Artistic Research is beyond academia: It is an integral part of societal structures that give us a premise to identify the key components embedded in art, useful for solving our everyday problems. Art, in summary is the solution that lives with us on a daily basis.." Jeremy Yao Olympio

Jeremy Yao Olympio holds a Certificate in P.R & Communication from the Open Institute  He also has  a Bachelor of of Arts Degree (B.A) in Theatre Arts from the University of Education, Winneba. Jeremy is currently a Postgraduate Candidate at the University of Education, Winneba.

Jeremy is theatre practitioner & an art enthusiast. He is an  Actor, Acting Coach and Creative Writer. Also, he is an Artistic Researcher with research interests in Acting, African Theatre & Aesthetics as well as Art and Societal Development. Jeremy is a critical thinker and has excellent problem solving skills. He also doubles as an Entrepreneur and a Philanthropist who has contributed significantly to the development of his immediate environment.

Jeremy strongly aligns with the views that every member of society must have some artistic knowledge as it is key is providing practical solutions to solve our daily problems. He also recommends that artists should have a formidable network to push the agenda of an artistic inclined society where everyone is aware of the relevance of art.